In “Three Hours”, the third song on Nick Drake’s Five Leaves Left 1969 debut album, Drake sings about being “..in search of a story that’s never been known…” Reviewing an album by a long-dead young man, in particularly one who died from “complications” related to serious mental illness is a dangerous task. Immediately there’s a temptation to look to the lyrics as some sort of warning sign, a suicide note, to his death at the age of 26. There are other many many other words, written in other places, about his life, his middle class upbringing and his frustration at the lack of commercial success in his lifetime. The song “Fruit Tree” for example, has in my opinion been wrongly interpreted as a sad man’s last, bitter words.
Now as hard as I try not to find themes of death and ending in these 10 songs, I’m struck by a sense of how autumnal it all sounds. It’s something I felt the first time I listened to it years ago, and something I haven’t been able to shake on repeated listening. The lyrics are punctuated with references to breezes and cold nights, while on a couple of tracks Drake’s guitar is subtly but beautifully accented by string arrangements. This works to bring a chill to the listener, one which evokes the chill of a bright November day. Yet, the autumn this album evokes is not one of decay, grayness and bare trees – in other words, no suicide note here. Instead the autumn evoked here is a time of change – we see a young man shedding the petty preoccupations of youth, and turning to a mature introspection perhaps unseen in many of his contemporaries. Five Leaves Left might even signal an early departure from the sometimes bombastic, often noisy reverb-heavy music of the late 1960s.
Time is indeed a major theme in the album. The rythms of the songs evoke the steady ticking and chimes of a grandfather clock, sitting dust covered in the corner of an old drawing room. We’re invited by Nick Drake to listen to the clock, to sit and and to age and grow, and to slow down to reflect on where we’ve been and where we’re going. The original back cover of the album reinforces this notion as it shows a man rushing down the street, hurried into a blur of non-recognition as Nick looks on. Drake’s face seems to recognize the man-in-a-hurry, but at the same time seems unconcerned with the busy-ness.
The album’s 10 songs are each strong in their own right, but it’s the two songs that bookend the recording that remain most in my mind. “Time Has Told Me” is a bluesy number about finding refuge in a loved one, while the closing track “Saturday Sun” is another blues number, more laid back in tone, punctuated brilliantly by Tristam Fry’s vibraphone.